Approximately 26-year-old East Asian beauty, black hair neatly tied into a high bun, natural side-parted bangs. Exquisite face, bright red lipstick, confident and gentle smile. Realistic skin texture and natural matte glow.

Black off-shoulder dress paired with a fluffy black fur shawl, revealing the collarbone. Exquisite silver necklace and small earrings. Black lace floral pattern stockings. Sitting on a bright yellow modern chair, holding a gold chain bag in her right hand, natural selfie or casual portrait angle.

Realistic smartphone photo style shot by iPhone 16 Pro, natural indoor lighting, soft top and side lighting. Modern dark wood wall background, shallow depth of field. Hyper-realism, realistic photo texture, natural colors, meticulous details --ar 9:16

Create a high-quality ultra-realistic intimate morning selfie of the same adult person immediately after waking up.
The image should feel like a spontaneous real-life moment casually captured with a smartphone front-facing camera.
Scene and pose
The subject is lying face-down on a bed, with their back facing the window and their face turned toward the camera.
The left side of the face is deeply pressed into a soft pillow, naturally compressing the cheek.
The camera is extremely close to the face, creating an intimate front-camera selfie perspective.
Only one person should appear.
Show mainly the face and a small amount of the upper body.
The subject should look:
sleepy
slightly dazed
quiet
naturally soft
as if they have only just opened their eyes
The eyes should remain relaxed and slightly unfocused.
Use a calm, absent-minded gaze toward the camera.
Preserve the original hairstyle and hair color from the uploaded portrait.
Make the hair extremely messy and naturally tousled from sleep.
Include:
loose uneven strands
soft bed-head volume
slightly flattened areas from the pillow
realistic flyaway hairs
The hair should look genuinely unstyled after waking up, not intentionally styled.
Makeup
Apply refined but natural Korean beauty makeup while preserving the original facial identity.
luminous natural skin
subtle soft blush
lightly defined eyebrows
delicate neutral eye makeup
thin eyeliner following the original eye shape
softly separated lashes
glossy natural pink lips
The makeup should remain polished but believable.
Do not heavily reshape or beautify the face.
The subject wears a fitted white long-sleeve top.
Only a small portion of the upper clothing should be visible because the composition is focused closely on the face.
Lighting and background
Use dark black-gray curtains behind the subject.
Morning light enters only through a narrow gap in the curtains from behind.
Create strong but realistic contrast between light and shadow across the face.
Keep the face clearly visible and softly illuminated despite the backlighting.
Use subtle morning glow, natural shadow transitions, and realistic indoor light.
Composition and camera
extreme facial close-up
smartphone front-camera perspective
csual imperfect framing
intimate eye-level angle
shallow depth of field
realistic lens softness
no professional studio posing
The final result should feel like an authentic private morning selfie captured without preparation.
Image quality
Create premium ultra-realistic 4K-quality detail with:
natural high-quality skin texture
visible pores
realistic individual hair strands
soft pillow texture
natural facial compression against the pillow
accurate anatomy
realistic morning lighting
Final mood:
A sleepy, intimate, freshly awakened morning selfie that feels like a genuine everyday moment.

Ultra-realistic portrait of a young woman against a plain light gray wall with a clean minimalist indoor background. She wears a pastel blush pink floral chiffon halter dress featuring watercolor flower prints, sheer off-shoulder puff sleeves, ruffled trim, and a handmade chiffon flower at the neckline. Her long dark brown hair is styled in a thick side braid with soft waves, airy curtain bangs, and loose face-framing curls. She poses naturally with shoulders slightly angled, head gently tilted, eyes gazing off-camera, and lips slightly parted, creating a soft, dreamy, feminine expression. Makeup: flawless porcelain glass skin, satin foundation, seamless concealer, soft jawline and nose contour, peach-pink blush blended across the cheeks and nose bridge, champagne highlighter on cheekbones, nose, brow bone, cupid’s bow, and inner corners, soft brown brows with natural hair strokes, muted pink and taupe gradient eyeshadow, subtle shimmer lids, delicate aegyo-sal, thin brown winged eyeliner, long wispy curled lashes, defined lower lashes, glossy rosy gradient lips, luminous neck, shoulders, and collarbones. Eye-level medium close-up, Lighting: aggressive direct sunlight + on-camera flash. Underexposed -1.5 EV for dark luxury mood. add small aesthetic signature watermark sabine. Shot on Canon PowerShot G7X Mark III, pop flash, sharp eyes, 35mm film grain. --ar 4:5 -v.6.1 do not alter face

Establish a high-density flat visual around any subject object, first refining the subject-related forms into flat organic silhouettes of vastly different sizes and varying edges, letting rounded and wide large outlines, slender lines, fine segmented forms, and scattered small pieces reach in from all sides and cross the edges, forming a dense coverage across the entire frame with no obvious perspective. Outlines are layered step by step with transparent ink, the same form repeatedly scaled, rotated, and obscured, naturally generating new color blocks where deep and light shades meet; at the same time, intentionally preserve the irregular bright base color running through them, cutting the most key subject symbols directly from these blank spaces, using only minimalist outer outlines and a few identifying details, making them flicker in and out of view, requiring a second look to be discovered. The blank images and colored silhouettes must share boundaries and intersperse with each other, and cannot become independent icons pasted on the surface. The whole is completed in a way that combines flat paper collage with transparent water-based overprinting: large shape edges are clear but with slight manual cutting irregularities, partially retaining real material textures, fiber feel, fine veins, slight ink layer thickness variations, and overprint color differences, without adding three-dimensional light and shadow, glass texture, or uniform aging. Colors are derived from the emotions, semantics, and material associations of future themes, choosing a dominant hue to form a high-coverage medium-brightness color group, with deeper homologous colors bearing the occlusion and visual weight, lighter low-saturation colors bearing the breathability and paper feel, and a few bright areas close to the base color responsible for separating shapes; controlled within a narrow color gamut, deep colors are full but not dull black, light colors are clean and not overexposed, remaining refreshing, natural, quiet, and full of life after overprinting. The layout adopts asymmetrical balance: graphics fill the screen and are cut at the edges, a readable information area is left on one side below, the subject title is arranged into three to four lines of compact white text, using simple narrow sans-serif and slightly wider East Asian character skeletons, with fine horizontal lines of varying lengths and slight manual skew interspersed between lines; a small foreign language subtitle is placed above the title, and time, place, and description are organized below with a sharp drop in font size, letter spacing is slightly open, and white text is pressed directly onto the dark collage. A small geometric logo is placed on the upper edge of the other side, and extremely small author or column text is embedded in the upper-middle part of the picture, letting information be surrounded by organic forms yet remaining clear. The reading order is first attracted by the full-frame overlapping colors, then discovering the blank symbols, and finally falling to the title below; always maintaining the tension of density, transparency, concealment, and manifestation, avoiding arranging silhouettes into regular patterns and avoiding letting text steal the surprise of negative shape discovery. Theme: Summer garden fruits and vegetables, organic vegetables, poster.

Create a 9:16 vertical realistic outdoor portrait, like a casual phone photo taken by a friend, not a studio shoot, not a commercial fashion photo.

A young adult East Asian woman with a fresh, elegant, natural look. Fair bright skin, soft facial features, lively eyes, clean makeup, no waxy skin, no oily skin, no plastic skin, no overly polished AI face.

She is lying on her stomach on a lakeside grass field, body close to the grass, elbows gently supporting her upper body. She faces the camera naturally, as if interacting with the photographer, with direct eye contact and a bright, sweet, relaxed smile. The mood should feel fresh, clean, warm and not vulgar.

She wears a light pink tulle slip dress, soft and airy fabric, natural folds, light layered texture. Her body has natural curves, slim but not bony, with a graceful waistline. The upper part of the dress naturally supports the body shape, realistic fabric fit, beautiful but not overly sexy.

Lakeside grass field, soft green grass, a few small yellow wildflowers in the foreground, distant lake, rolling hills, blue sky and white clouds. Low camera angle close to the grass, natural depth of field, slight phone-shot feeling, relaxed and spontaneous.

Side backlight, sunlight coming from behind and the side, catching the edges of her hair. Hair has soft rim light, translucent strands, natural flyaway hair and a light breeze. Her face should stay clean and evenly lit, no harsh light spots on the face, no patchy shadows.

A 9:16 vertical composition, non-spliced image, single real-person realistic photography.

[Facial Features & Styling] The subject is a clearly adult Asian girl, about 20 years old, with a mix of Neo-Chinese Tang Dynasty noblewoman and modern Korean fashion styling. Small head, small face, sharp and exquisite V-shaped chin, oval face, bright and charming facial features, ultra-long black slightly curly hair, half-up hair paired with golden flower hairpins, pink gemstones, dangling tassel earrings, and small forehead ornaments. The makeup maintains high saturation, with pink eyeshadow, slender eyeliner, peach-red blush, and moist rose lips. The skin is cold white and delicate, with slight overexposure on the face and exposed skin.

[Clothing & Props] The outfit is a dark pink slim-fit short-sleeved top with a white collar, integrating Tang Dynasty patterns, gold thread embroidery, frog buttons, tassel pendants, and a modern short-cut design. The figure is hourglass-shaped, with a full bust and a slender waistline. The character sits at a table in a vintage Korean BBQ restaurant. The tabletop features a grill, roasted meat, Korean side dishes, metal bowls and chopsticks, a green soju bottle, and a small transparent shot glass. She holds the shot glass with her right hand near her face and naturally holds the metal chopsticks with her left hand, leaning forward slightly with a gentle and playful smile, looking directly at the camera.

[Lighting & Texture] Vintage DV video texture, a screenshot from a home camcorder from the late 90s to early 2000s, obvious nostalgic film grain, dense fine noise throughout the frame, film texture, low-grayscale soft color scheme, cool cyan-gray filter, maintaining the pink and rose-red saturation of the facial makeup. Slight direct flash, skin highlights turning white, slight chromatic aberration at the edges, vignetting, slight out-of-focus, slightly dynamic frame, dreamcore hazy feeling, Instagram snapshot vibe, slightly high-angle shot, 35mm wide-angle feel. The character is located in the center-right of the frame.

[Negative Constraints] Minors, child-like appearance, immature body, nudity, exposure, transparent clothing, limb defects, limb deformities, extra arms, extra fingers, stuck fingers, six fingers, missing fingers, deformed palms, extra characters, misplaced facial features, double faces, repeated characters, plastic skin, excessive skin smoothing, modern studio background, spliced images, grid layout, garbled text, large-scale watermarks.

Create a vertical 9:16 modern-office group portrait containing exactly seven clearly adult women, approximately 23 to 30 years old. Two women stand in the back row and lean subtly toward the center, while five women sit closely together on pale office chairs or a bench in the foreground. Every subject looks naturally toward a camera positioned low and directly in front of them. Preserve seven distinct faces with believable facial variation, slight asymmetry, subtly different smiles and individual head angles. Do not create repeated faces or a single cloned beauty template.  Their outfits are coordinated without being perfectly identical: warm-white, ivory or neutral-white collared button-up shirts, fitted but not tight, tucked into charcoal, dark-gray or black high-waisted short pencil skirts. Some sleeves are rolled to the forearms, collars open naturally by one or two buttons, and the shirts remain fully opaque with realistic folds around the shoulders, elbows and waist. Every leg is fully covered by thin smoke-black sheer tights. Believable knee, thigh and calf contours remain visible beneath the hosiery, but the legs must never become bare, thigh-high stockings or over-the-knee socks. Add pointed patent-leather stiletto pumps, mostly glossy black, with two or three vivid red patent heels or red soles creating a restrained red-and-black visual rhythm across the lower frame.  The five seated women form the dominant foreground with crossed, parallel or diagonally extended legs. The central woman sits most upright with her hands resting naturally together near her lap. A woman with airy straight bangs rests one cheek on her hand. A long-haired woman on the right lightly supports her chin. The far-right subject leans inward with one or both hands close to her chin. The back-left woman has long deep-chestnut waves and raises one hand toward her hair. Preserve uneven seat heights, slightly offset shoulder lines, natural body occlusion, overlapping legs and partial cropping of the edge subjects. Every arm, hand, finger, knee, leg and shoe must remain clearly connected and anatomically plausible.  Hair colors include natural black, black-brown and deep chestnut. Use varied hairstyles such as side-parted waves, long center-parted straight hair, shoulder-length straight hair, neat airy bangs, long middle-parted S-waves and a loose half-up hairstyle with face-framing strands. Hair should feel smooth yet weighted, with visible part lines, fine flyaways and slightly separated ends. Avoid identical plastic gloss. Makeup follows contemporary East Asian urban-office and soft Korean beauty styling: lightweight semi-matte foundation, gently straight brows, thin brown-black eyeliner, clean separated lashes, muted peach or rose blush, and coral, dusty-rose or soft-pink lips. Avoid oversized eyes, heavy contouring and dramatic glam makeup.  Clearly visible skin is limited to faces, ears, necks, small areas of collarbone and upper chest inside the shirt collars, wrists, forearms and hands. Chests, waists, hips, buttocks and legs remain covered by clothing or tights. Use naturally varied fair-to-light warm skin tones with neutral, peach or faint rosy undertones. The skin should appear and feel soft, fine-grained, clean and semi-matte, like lightly moisturized skin beneath a thin foundation layer. Retain faint pores, subtle under-eye texture and hand-joint detail rather than waxy or plastic skin.  Place the camera near floor or lower-shin height and tilt it upward by approximately 5 to 10 degrees from directly in front. Use a close shooting distance and a 20 to 26 mm full-frame equivalent wide-angle lens, making the foreground legs and shoes visibly larger than the upper bodies while avoiding fisheye distortion or severe stretching at the edges. The image should resemble a rear-smartphone-camera group photo with mild computational HDR and restrained beauty processing, or a full-frame wide-angle photograph with similar rendering. Keep the image clean and sharp while retaining extremely fine sensor grain, uneven highlights, fabric creases and small human imperfections. Use moderately deep focus so all seven faces, the tights-covered legs and the foreground shoes remain substantially sharp, with focus biased slightly toward the central woman and no heavy background blur.  Set the scene in a bright, orderly modern office lounge or meeting area. Include a white suspended ceiling with several circular recessed downlights, pale cabinetry or office partitions on the left, a bright window or glass opening on the right, light-beige chairs, and a polished dark floor with pale abstract stone or marble-like patterns. Broad white ceiling illumination combines with slightly cooler daylight entering from the right, producing a mixed color temperature around 4300 to 5000K. Create gentle physical highlights on foreheads, noses, cheeks and forearms, with shallow gray shadows beneath jaws and around eye sockets. Sheer tights and patent shoes should carry controlled linear and point-like reflections without clipping, while soft shadows and blurred reflections appear under the chairs and across the polished floor.  The scene should feel like seven familiar coworkers who had just gathered for an impromptu office portrait. The shutter has already been pressed, yet they are still holding their chin-resting gestures, crossed legs and subtle inward leans. In the next moment, their hands may lower and the overlapping legs may shift. Keep the atmosphere bright, friendly, quietly confident and moderately polished, while preserving the accidental irregularity and emotional residue of a real human photograph.

Based on the attached reference image, generate a three-panel character reference sheet. The composition is a horizontal frame, equally divided into three side-by-side vertical panels (three-panel character reference sheet), with clean and thin dividing lines between the panels. Strictly maintain the character's face, hairstyle and hair color, body proportions, clothing style, and accessories from the reference image to be completely consistent; the three panels feature the same character and the same outfit.

Left panel —— Front full body, headless. The character's body faces the camera directly, from below the shoulders down to the feet, with arms hanging naturally at the sides, hands relaxed and open, and weight evenly distributed on both feet. No head, no hair — nothing rises above the shoulder line, and no hair falls over the chest or shoulders. The neck is terminated at the base of the throat with a clean, flat, horizontally cut edge with clear margins, like a headless mannequin, a crisp sculptural cut, not blurred, not out of focus, not dissipated, no smoke, no ghosting, no transparency, no blood, no anatomical details; above the cut is only a blank background. This panel retains the full space for the top of the head, leaving ample blank space above the shoulder line so that the character's proportion and position in the frame are consistent with a normal full-body portrait.

Middle panel —— Back full body, with head. The same character photographed from directly behind, standing straight, hair falling naturally down the back, the back construction of the clothing, skirt/pants style, and footwear are clearly visible, arms hanging naturally at the sides, hands relaxed, weight evenly distributed on both feet, full view from the top of the head to the shoes.

Right panel —— Chest-up close-up, identity lock. A tight composition of the same character from slightly above the top of the head to the collarbone, showing only the uppermost edge of the clothing, with the face occupying most of the frame, a true close-up. The body faces the camera, the head is at eye level, eyes looking directly into the lens, lips closed and relaxed, with a neutral and restrained expression. Eyebrows, eyes, eyelashes, lip texture, and key identity markers are clearly discernible at close range.

Unified background for all three panels: a flat and uniform 18% neutral gray seamless background, single color value, no gradient, no fall-off (flat 18% gray seamless). Non-directional and shadowless frontal illumination, uniform fill light on all sides, no key light side, no shadow side, no rim light, no edge light (shadowless frontal illumination), no projection on the background, zero contact shadows under the feet (zero cast shadow), the lighting is completely consistent across the three panels.

Photorealistic texture (photorealistic), skin shows fine and uniform pores and subsurface scattering, individual strands of hair are distinct, fabric weave is clear (fabric weave), slight film grain. Real human, shot with a real camera, absolutely not plastic-y, absolutely not a rendering, absolutely not CGI, no AI skin smoothing, no excessive smoothing.