Generate a standalone 4:5 vertical, realistic photography texture New Chinese style female fashion editorial. The subject is a fictional and clearly adult 24–30 year old East Asian female, with a classic natural face shape, mature, restrained, and confident, realistic and delicate skin, clear and low-saturation makeup, black low bun hairstyle, wearing only a single minimalist dark jade hairpin. A minimalist Oriental interior uses a huge ink-black oval lacquer screen as the main visual anchor, in front of the screen is only a low celadon vase and a single branch of deep crimson camellia, with red occupying only a tiny area of the frame. She wears an ivory white asymmetric stand-collar mid-length dress, cinched at the waist with a low-saturation jade green narrow belt, sharp shoulder lines, vertical skirt hem, the fabric features extremely faint champagne gold dark patterns. The character is nearly full-body, located on the right side of the frame, one hand hanging naturally, the other hand completely hidden behind the body, not interacting with the vase or branches. Eye-level 50–85mm portrait lens feel, shallow depth of field, large area of window light from the top left illuminating the face and ivory white clothing, the lacquer screen maintains deep yet readable shadows, 40% negative space, black, white, jade green, and a bit of crimson form a high-end area relationship, like an Oriental luxury brand advertisement. No text, no logo, no watermark; avoid Cheongsam photo studio feel, Xianxia, palace-style clutter, office space, plastic skin, youthful appearance, garish red, complex gestures, extra arms, multi-hands/fingers, incorrect limb connections.

Ultra-realistic black-and-white editorial fashion portrait of a young woman with long, voluminous dark hair, thick natural eyebrows, luminous skin, and subtle winged eyeliner. High-fashion luxury magazine aesthetic, photographed in a minimalist studio with a soft light gray background. Soft diffused window lighting, gentle shadows, high dynamic range, rich grayscale tones, crisp facial details, shallow depth of field, 85mm lens, f/1.8.
Shot 1: She wears a fitted white ribbed tank top. Hair partially covers one eye in an effortless, windswept style. She gazes upward with slightly parted lips, creating a candid, dreamy expression. Loose curls frame her face. Close-up composition from chest up.
Shot 2: She wears a delicate black spaghetti-strap top with elegant diamond jewelry (bracelet, watch, earrings). Chin resting on her hand, warm genuine smile, eyes looking slightly to the side. Hair flowing naturally as if moved by a light fan. Intimate close-up portrait with relaxed luxury fashion vibes.
Photography style: Vogue editorial, Harper's Bazaar, luxury beauty campaign, timeless elegance, cinematic monochrome, clean composition, natural skin texture, ultra-detailed eyes, soft contrast, film-like grain, premium fashion photography, high-end retouching, photorealistic, 8K.

9:16 vertical version, realistic female home life photography, soft light CCD style, candid cooking shot in a real rental apartment small kitchen. The main subject is a clearly adult young East Asian woman, visual age about 22–28 years old, with exquisite and natural features, a gentle and energetic face, a small and smooth oval face, slightly full mid-face, rounded almond eyes, natural eye bags, focused and clear eyes, long but not excessively thick eyelashes, a delicate and smooth bridge of the nose, a small nose tip, soft and natural lip shape, with a slight relaxed smile at the corners of the mouth, natural flushing on the cheeks, overall beautiful and pleasant to look at, realistic and approachable, not an internet celebrity style, not juvenile, not Westernized.

Black long hair half-tied in a high ponytail, fluffy top, natural hair volume, slightly curled ends, a small amount of loose stray hair in front of the forehead and sides of the face, presenting a natural and casual state when cooking at home. She is wearing a light blue slim-fit ribbed knit short-sleeve top, low round neck cut, soft and close-fitting fabric, naturally full chest, clear chest line and upper body silhouette but not overly exaggerated; the lower body is paired with a cream-white high-waist home skirt or apron-style skirt, tied at the waist, the apron has slight life-like embroidery and pockets, overall fresh and gentle, with a real sense of home.

The person stands in front of a wooden counter, body naturally upright and slightly leaning forward, head lowered intently cutting a cucumber, right hand steadily holding a Chinese kitchen knife, left hand naturally securing the cucumber, fingers curled and tucked, the movement is real, safe, and conforms to actual vegetable-cutting posture. Her gaze falls on the cutting board, expression focused, quiet, and relaxed, not looking at the camera, like a frame casually captured by a friend during the cooking process. The composition is from half-body to thighs, the person is located in the center-left of the frame, the counter and the cutting action are in the bottom right, highlighting the person's face, chest line, waistline, hand movements, and ingredient details.

The scene is a small real rental apartment kitchen, on the left is a white double-door refrigerator with small magnets, notes, and life photos, on the right by the window area is a wooden counter, cutting board, seasoning bottles, glass jars, kitchen hanging cloth, rice cooker, and daily cookware. Fresh cucumber slices, cherry tomatoes, lettuce, yellow bell peppers, onions, and a vegetable basket are placed on the counter, the colors of the ingredients are fresh and natural but not oversaturated. The background is slightly cluttered but tidy and real, with obvious signs of living and a sense of 'yanhuoqi', not a model room, not a commercial kitchen.

The light is bright natural light from the window + indoor warm white light + extremely weak soft flash, sunlight shines obliquely into the kitchen from the upper right of the frame, illuminating the side of the person's face, neck, collarbone, chest line, arms, and the counter, forming a soft rim light on the hair edges. The person's skin is fair and transparent but retains real skin texture, partial highlights are slightly white, avoiding plastic skin smoothing. The overall style uses soft light CCD life photo colors, creamy white highlights, slight overexposure, a soft glowing feeling, light grain, light digital noise, a millennial digital card camera atmosphere, the image is warm, clear, natural, and has a sense of 'yanhuoqi', like a life moment accidentally recorded while cooking at home.

Avoid underage feeling, avoid juvenile face, avoid internet celebrity plastic surgery face, avoid AI template face, avoid excessive skin smoothing, avoid plastic skin, avoid exaggerated chest, avoid extreme thin waist, avoid body proportion distortion, avoid transparent clothing, avoid underwear feeling, avoid eroticized poses, avoid incorrect knife holding, avoid fingers close to the blade, avoid extra fingers, avoid hand deformity, avoid kitchen knife deformation, avoid floating ingredients, avoid commercial advertisement feeling, avoid studio lighting, avoid excessively tidy background, avoid dirty and messy kitchen, avoid yellowing of the entire image, avoid strong HDR, avoid losing the soft light CCD life photo texture.

Vertical 3:4, single real family mobile phone night shot, no collage, no four-grid, no infographic, no text. Only reference the facial features, face shape, eyes, nose, lips, natural smile and black long straight hair of the female in the uploaded image. Only reference the character's appearance, do not inherit the dessert shop background, yellow chair, ice cream, clothing, action and composition from the uploaded image, completely reconstruct an ordinary family living room. A young adult Asian woman, slim and natural figure, wearing a light beige sleeveless knitted home maxi dress, sitting comfortably sideways on an ordinary fabric sofa, with a thin blanket casually covering her legs. She is holding potato chips in one hand, with the other hand next to the remote control, originally watching TV. A friend suddenly calls her from the other end of the sofa, she turns her head toward the camera, her expression first a bit stunned, with food still in her mouth, then showing a very light, natural smile. The living room is ordinary and slightly cluttered, not a luxury showroom. There are throw pillows and a thin blanket on the sofa, and snack bags, a water cup, tissues, charging cables and a remote control on the coffee table. The TV is on in the background, but the screen content is blurry and unrecognizable. The cool light from the TV illuminates the character's face and shoulders, with only a dim warm floor lamp nearby, forming a realistic uneven cool and warm mixed light. Obvious mobile phone noise is retained in the dark parts of the room. Using an ordinary mobile phone rear lens, 26mm wide angle, shot from a lower position on the other side of the sofa, medium shot. The composition is slightly tilted, the character's posture is relaxed and natural, without intentionally showing off the figure. Retain real skin texture, slight pores, a few blemishes, natural oiliness and messy stray hairs, unedited, like a life photo taken casually by a friend at night. Negative Prompts: Dessert shop, ice cream, wooden table, original chair, original sitting posture, collage, four-grid, multi-scene, infographic, text, title, poster, luxury apartment, showroom, pajama advertisement, studio lighting, sexy clothing, revealing clothing, plastic skin, perfect posing, excessive skin smoothing, deformed furniture, floating snacks, TV text, watermark.

Ultra-realistic cinematic 6-panel collage (2 columns × 3 rows), macro miniature comedy photography, featuring the same tiny man in every panel (identical face, black hair, trimmed beard, oversized expressive cartoon-style head, realistic skin texture, exaggerated terrified facial expression, tiny body, consistent proportions, wearing casual summer clothes that change slightly between scenes). Warm cinematic lighting, shallow depth of field, ultra-detailed textures, realistic scale contrast, HDR, 8K, highly photorealistic. Panel 1 – Heat Panic: Tiny man standing beside a gigantic outdoor thermometer reading nearly 50°C, shielding himself from the blazing sun with a horrified expression while the intense sunlight dominates the sky. Panel 2 – Refrigerator Refuge: Tiny man hiding inside an open refrigerator between giant bottles and food containers, hugging himself from the cold while looking terrified, dramatic interior fridge lighting. Panel 3 – Air Conditioner Worship: Tiny man sitting cross-legged directly beneath a wall-mounted air conditioner with powerful cold airflow blowing over him, staring at it with relief and amazement. A digital thermometer beside him displays 16°C. Panel 4 – Ice Bath Survival: Tiny man sitting inside a cereal bowl completely filled with giant ice cubes, pressing an ice cube against his face while looking dramatically relieved yet still panicked from the heat. Panel 5 – Fighting the Sun: Tiny man struggling to walk outdoors beneath an oversized black umbrella while the scorching sun burns overhead, dramatic wind, dusty ground, intense summer atmosphere. Panel 6 – Sunscreen Bodyguard: Tiny man desperately hugging a gigantic SPF 100 sunscreen bottle as if it were his only protection from the sun, wearing sunglasses and a summer hat, terrified expression, humorous composition. Style: Pixar-inspired proportions mixed with ultra-realistic photography, macro lens, tilt-shift effect, soft bokeh, cinematic color grading, realistic shadows, perfect composition, funny storytelling, highly detailed facial expressions, vibrant summer colors, professional advertising quality, masterpiece, 8K.  Negative Prompt: low quality, blurry, watermark, text, logo, cropped, duplicate character, extra limbs, deformed anatomy, bad hands, bad face, inconsistent character, flat lighting, oversaturated colors, CGI artifacts, low resolution, noise.

Create an ultra-premium vertical advertising poster for Starbucks Cold Brew, preserving the same minimalist editorial skeleton while pushing the image into a more flagship, more sculptural, and more internationally fashion-magazine-level direction. Keep the composition built from a large field of clean negative space in the upper half and an extreme macro close-up of the cup rim, cold brew surface, and ice structure dominating the lower half. The final result should feel like a hybrid of a world-class Starbucks campaign, a luxury beverage poster, and a collectible international magazine cover: light, cold, precise, modern, and visually unforgettable.

The hero product is Starbucks Cold Brew shown in an extreme macro close-up focused on the very top rim of the cup. The lower half of the poster must be dominated by the cup edge, the liquid meniscus, and a dense frozen landscape of crystal-clear ice rising above the rim. The cup should emerge from the bottom edge of the frame so only the upper portion is visible, making the viewer feel intimately close to the drink. The rim must be hyper-realistic: thin transparent edge, subtle glass thickness, wet reflections, elegant refraction, tiny cold condensation beads, meltwater traces, and perfect surface tension. The cold brew inside must feel dark, deep, and luxurious, with black-brown density, amber undertones, chilled transparency, and beautiful depth beneath the ice.

Push the cold-drink identity to an even more extreme level. The interaction between coffee and ice should be astonishingly rich in detail: large angular ice cubes, fractured transparent planes, trapped air bubbles, melting edges, floating smaller ice fragments, cold condensation droplets clinging to the cup, micro-beads of water, faint cooling haze, and sharp liquid transitions where dark coffee meets thinner translucent zones. The lower macro area should feel like an icy coffee world or a cold-brew geological cutaway, highly tactile and physically believable.

Preserve the same poster logic, but boldly reconstruct the lower beverage zone into a more sculptural and iconic frozen landscape. Let the ice cluster at the rim feel less like ordinary drink styling and more like a monumental cold-brew horizon: cracked clear ice peaks, wet reflective ridges, dark liquid depth below, subtle meltwater channels, and refined tonal separation between transparent ice, amber light, and dense coffee shadow. The drink should feel monumental while remaining product-true and hyper-real.

Refine the upper text system completely so it feels lighter, colder, and more like the cover language of an international design or lifestyle magazine. Use a clean, airy, editorial English title such as "Cold Brew" or "COLD / BREW" with elegant spacing, taller vertical rhythm, and restrained sophistication. Pair it with a short handwritten-style line that feels cool, intelligent, and fresh, such as "deep chill", "slow and cold", "stay crisp", or "cool begins here". Add a very subtle Starbucks siren mark or official brand signature, plus a few tiny editorial fragments or fine-line supporting copy arranged with the intelligence of a collectible magazine cover. Typography must feel black or deep charcoal, crisp, modern, slightly fashion-oriented, and premium, with only the most restrained use of Starbucks green if needed.

The text composition must no longer feel warm or cafe-like. It should feel colder, more airy, more modern, and more internationally editorial. Let the title float with elegant asymmetry, the handwritten note arc gently or lean lightly through the negative space, and small copy fragments behave like magazine-cover coverlines without clutter. The typography should echo the line of the rim and the geometry of the ice below, creating a strong dialogue between graphic design and product form. The upper half should feel spacious, calm, and expensive.

Lighting must be extremely soft, crisp, and premium, with more coolness and brightness than a standard coffee ad. Use delicate highlights on ice edges, refined reflections on the cup rim, wet sparkle on condensation droplets, soft luminous gradients inside the coffee, and impeccable tonal control from deep cold-brew brown to translucent amber to icy clear highlights. Every ice fracture, droplet, and liquid shift must feel macro-photography-grade, razor-sharp yet elegant. The realism must be extreme, but the mood remains clean, quiet, cold, and premium.

Keep the palette tightly controlled: pale cool beige or soft stone background above, deep cold-brew brown, near-black coffee depth, translucent amber light, clear ice highlights, soft silver-gray chill reflections, and only minimal restrained Starbucks green for tiny brand cues. The final image should feel like a world-class Starbucks flagship cold-drink poster and a collectible magazine-cover object at the same time: hyper-real cold brew, monumental ice detail, refined cold editorial typography, minimal official branding, luxury cooling atmosphere, premium print texture, and ultra-sharp detail.

Avoid cluttered layout, avoid too many props, avoid full-cup dominance, avoid muddy liquid, avoid weak ice detail, avoid warm cozy coffee-shop typography, avoid excessive green, avoid cheap poster design, avoid cartoon illustration style, avoid chaotic composition, avoid low-detail condensation.

Expand a commercial still life visual with slight film softening around any theme object, placing the single most recognizable object of the theme slightly to the right of the central axis, magnified as the visual center with a close-up real-shot texture; the object rises from behind a tile countertop that cuts in from the bottom edge from low-left to high-right, with its base partially obscured by the countertop, forming a monumental posture steadily held up by the diagonal line. The tile countertop occupies only a small area of the bottom edge of the frame, with a warm glaze and restrained reflections, fine narrow light-colored grouting forming regular squares extending with diagonal perspective, establishing scale while pushing the gaze back to the focus. The upper half retains a large area of transparent white space, using high-brightness, low-to-medium saturation theme-derived cool colors as a clean background, retaining only extremely fine uniform grains, slight brightness drift, and a soft bright mist, overall bright, refreshing, with a slight softness of old-style color advertisements, without adding dirt, wear, or heavy brown filters. The theme object presents credible light transmission, reflection, delicate highlights, and internal layers according to its own materials, with clear edges but not over-sharpened; extract a group of high-saturation, small-volume attachment details from the theme imagery, gathered near the upper edge of the object, with a low-information light-colored rectangular identification surface embedded on the front, letting the rich physical texture and quiet plane form a pause. Colors are derived from the theme semantics, not locked to specific hues: large area backgrounds maintain light, bright, low saturation, medium area objects and tiles share deeper, more saturated adjacent color relationships, a small amount of striking colors concentrated in top details, main titles, and bottom short sentences, light neutral colors used for highlights and identification surfaces; keep clear warm-cold contrast, clean color layers, and a vivid but not glaring focus. Text forms a vertically dense reading along the central axis: two lines of extremely small copy suspended at the top, the first line using a compact bold all-caps narrow font with slightly widened letter spacing, the second line using a lighter, smaller italic font; below it, a very large high-contrast serif title composed of a short theme word, tall face, distinct thick and thin strokes, stable centered positioning, dark color tone echoing the striking details on the object, followed by a line of smaller serif subtitles closely following. Leave a breathing space between the title and the top of the object, text does not press onto the physical entity; the very bottom places a line of small, compact, striking-colored all-caps instructions on the tiles, forming an echo from start to finish. All copy comes from the current theme, maintaining information restraint, central axis alignment, and obvious font size jumps; the image should be like a nostalgic product advertisement shot with natural high-key light after careful arrangement, with both real materials and weak optical softening, as well as bold white space, diagonal platform advancement, and clear graphic order.

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Theme: Berry cream dessert cup poster, highlighting a light sweet product suitable for afternoon tea
Supplement: Appear 3 relevant information points, keep commercial poster usable
Aspect ratio: Vertical 3:4

Develop a minimalist advertising-style visual around any subject object, the screen uses a large area of pure white space as breathing room, the strongest subject is not a complete object, but a huge translucent circular arc color plane pressed in from the outer upper edge, the edges are cropped by the screen, only revealing a full arc and a single droplet falling downwards, forming a first-glance tension of "weight suspended above blank space." The subject content is transformed into clear and moist color blocks, dots, droplets, and local textures, gradually becoming smaller along a vertical path slightly off the central axis, passing through the subject glyphs or symbols in the middle; the glyphs use heavy black display fonts, some strokes are embedded, obscured, or replaced by subject-colored circles, making the text look as if it were perforated by liquid, pulp, minerals, or subject materials, rather than being typeset separately. Keep slender vertical main copy on the right, form small-scale explanatory text, subject carriers or information thumbnails, and price-style information groups at the bottom left, all information blocks are pressed very lightly, relying on extremely wide white space and the giant color plane above to form an asymmetrical balance. Colors are derived from the subject's semantics, the main color occupies the largest visual area, it must be high brightness, medium-high saturation, clean and transparent, white as the absolutely dominant background space, black only bears the text skeleton and a small amount of bottom information, auxiliary colors float inside the color plane with lighter, more transparent tones of the same or neighboring brightness. The main color plane should have a material feel of jelly, clear juice, glazed surface, or light colors on wet paper, with soft cloud-like precipitates, shallow scratches, transparent overlapping colors, and irregular bright spots appearing inside, the edges are clean but locally have rounded closures of falling liquid; the whole maintains a bright, restrained, natural feel without filter-like heaviness. The text system is mainly based on a vertical reading rhythm, the body text is thin, narrow, and sparse, the title or subject characters are thick, black, and low-decoration, with a clear size difference; it is forbidden to let decorations fill the blank space, the failure state is the color blocks becoming a normal background, the droplets losing vertical rhythm, the text and circles no longer interlocking, or the subject object stealing the clarity and quietness brought by the white space.

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Add seasonings yourself~~~