Create a premium watercolor travel poster for {{CITY_NAME}} in a modern urban sketch style. Display "{{CITY_NAME}}" at the top in large black hand-painted brush lettering, with "{{TAGLINE}}" below in elegant red handwritten script.

Feature the city's most iconic landmark perfectly centered, towering above the skyline. Surround it with recognizable local architecture illustrated using expressive black ink sketches and soft watercolor washes.

In the foreground, place a stylish traveler crossing a pedestrian crossing while looking up at the landmark. Add subtle city life (pedestrians, bicycles, taxis, trams, or local vehicles) and strong leading perspective lines.

Style: luxury editorial travel poster, warm ivory textured paper, soft golden-hour lighting, muted gray-blue palette with one city-inspired accent color, minimalist composition, generous negative space, vertical 2:3 ratio, ultra-detailed, museum-quality, 8K, crisp ink strokes, no logos, no watermarks, no borders, no AI artifacts.

Create an ultra-premium vertical advertising poster for Starbucks Cold Brew, preserving the same minimalist editorial skeleton while pushing the image into a more flagship, more sculptural, and more internationally fashion-magazine-level direction. Keep the composition built from a large field of clean negative space in the upper half and an extreme macro close-up of the cup rim, cold brew surface, and ice structure dominating the lower half. The final result should feel like a hybrid of a world-class Starbucks campaign, a luxury beverage poster, and a collectible international magazine cover: light, cold, precise, modern, and visually unforgettable.

The hero product is Starbucks Cold Brew shown in an extreme macro close-up focused on the very top rim of the cup. The lower half of the poster must be dominated by the cup edge, the liquid meniscus, and a dense frozen landscape of crystal-clear ice rising above the rim. The cup should emerge from the bottom edge of the frame so only the upper portion is visible, making the viewer feel intimately close to the drink. The rim must be hyper-realistic: thin transparent edge, subtle glass thickness, wet reflections, elegant refraction, tiny cold condensation beads, meltwater traces, and perfect surface tension. The cold brew inside must feel dark, deep, and luxurious, with black-brown density, amber undertones, chilled transparency, and beautiful depth beneath the ice.

Push the cold-drink identity to an even more extreme level. The interaction between coffee and ice should be astonishingly rich in detail: large angular ice cubes, fractured transparent planes, trapped air bubbles, melting edges, floating smaller ice fragments, cold condensation droplets clinging to the cup, micro-beads of water, faint cooling haze, and sharp liquid transitions where dark coffee meets thinner translucent zones. The lower macro area should feel like an icy coffee world or a cold-brew geological cutaway, highly tactile and physically believable.

Preserve the same poster logic, but boldly reconstruct the lower beverage zone into a more sculptural and iconic frozen landscape. Let the ice cluster at the rim feel less like ordinary drink styling and more like a monumental cold-brew horizon: cracked clear ice peaks, wet reflective ridges, dark liquid depth below, subtle meltwater channels, and refined tonal separation between transparent ice, amber light, and dense coffee shadow. The drink should feel monumental while remaining product-true and hyper-real.

Refine the upper text system completely so it feels lighter, colder, and more like the cover language of an international design or lifestyle magazine. Use a clean, airy, editorial English title such as "Cold Brew" or "COLD / BREW" with elegant spacing, taller vertical rhythm, and restrained sophistication. Pair it with a short handwritten-style line that feels cool, intelligent, and fresh, such as "deep chill", "slow and cold", "stay crisp", or "cool begins here". Add a very subtle Starbucks siren mark or official brand signature, plus a few tiny editorial fragments or fine-line supporting copy arranged with the intelligence of a collectible magazine cover. Typography must feel black or deep charcoal, crisp, modern, slightly fashion-oriented, and premium, with only the most restrained use of Starbucks green if needed.

The text composition must no longer feel warm or cafe-like. It should feel colder, more airy, more modern, and more internationally editorial. Let the title float with elegant asymmetry, the handwritten note arc gently or lean lightly through the negative space, and small copy fragments behave like magazine-cover coverlines without clutter. The typography should echo the line of the rim and the geometry of the ice below, creating a strong dialogue between graphic design and product form. The upper half should feel spacious, calm, and expensive.

Lighting must be extremely soft, crisp, and premium, with more coolness and brightness than a standard coffee ad. Use delicate highlights on ice edges, refined reflections on the cup rim, wet sparkle on condensation droplets, soft luminous gradients inside the coffee, and impeccable tonal control from deep cold-brew brown to translucent amber to icy clear highlights. Every ice fracture, droplet, and liquid shift must feel macro-photography-grade, razor-sharp yet elegant. The realism must be extreme, but the mood remains clean, quiet, cold, and premium.

Keep the palette tightly controlled: pale cool beige or soft stone background above, deep cold-brew brown, near-black coffee depth, translucent amber light, clear ice highlights, soft silver-gray chill reflections, and only minimal restrained Starbucks green for tiny brand cues. The final image should feel like a world-class Starbucks flagship cold-drink poster and a collectible magazine-cover object at the same time: hyper-real cold brew, monumental ice detail, refined cold editorial typography, minimal official branding, luxury cooling atmosphere, premium print texture, and ultra-sharp detail.

Avoid cluttered layout, avoid too many props, avoid full-cup dominance, avoid muddy liquid, avoid weak ice detail, avoid warm cozy coffee-shop typography, avoid excessive green, avoid cheap poster design, avoid cartoon illustration style, avoid chaotic composition, avoid low-detail condensation.

Vertical 3:4, single real nighttime phone snapshot, no collage, no four-grid, no infographic, no text.

Only refer to the facial features, natural smile, and long straight black hair of the woman in the uploaded image. Only refer to the character's appearance, do not inherit the dessert shop, ice cream, seats, clothing, movements, and composition from the original image, completely reconstruct a lively night market scene.

A young adult Asian woman, with a slender and natural build, wearing a simple black spaghetti strap sleeveless long dress, daily and decent style, not revealing. She is walking through a lively night market aisle, holding snacks in a paper cup with a bamboo skewer in one hand and carrying a regular canvas bag in the other. A friend calls her from behind, she looks back at the camera while walking, still chewing, her eyes showing a bit of surprise first, followed by a natural, relaxed smile, like a moment just caught by a friend.

The background is a regular urban night market, with snack stalls, plastic tables and chairs, steaming pots, cardboard boxes, passersby, and partially overexposed light signs. The crowd has slight motion blur, and the ground is slightly cluttered. A mix of warm stall lights, white fluorescent tubes, and street lights, with uneven highlights and slight shadows on the character's face, skin tone is natural but not perfect.

Using a regular mobile phone rear camera, approximately 26mm wide-angle, the lens is slightly lower than the character's eye level, friend shooting while walking. The character is not perfectly centered, the composition is slightly casual, and the background retains a lot of environmental information. Slight noise in the dark areas, partial overexposure of light signs, the image is clear but not over-sharpened, a sense of real night shooting.

Negative prompt: dessert shop, ice cream, wooden table, yellow seats, original image pose, collage, four-grid, multiple scenes, infographic, text, title, poster, cyberpunk, cinematic neon, commercial fashion blockbuster, excessive blur, deliberate sexy poses, exaggerated body curves, plastic skin, heavy makeup, finger deformity, bamboo skewer deformation, floating food, light sign gibberish close-up, watermark.

Create a 9:16 editorial typography poster built around one human-centered moment.

Use oversized, cropped letters as the main composition structure. Embed the environment inside the letterforms, while the person, body movement, or a foreground object breaks through the letters with strong perspective. The typography should shape the image, not simply sit on top of it.

Scene: [roller skating / swimming / cycling / coffee break]
Subject: [young Asian woman / Western man / Asian man / Western woman]
Title: [custom two-word title]
Series: HUMAN FRAGMENTS
Year: 2026

4 directions:

1. ROLL SIGNAL — a roller skater gliding past the camera, one skate enlarged in the foreground, body and urban scene passing through giant letters.

2. BLUE CURRENT — a swimmer moving through turquoise water, one arm reaching toward the camera, water and splashes filling and breaking beyond the typography.

3. CITY LOOP — a cyclist turning through a city street, the front wheel enlarged by perspective and visually connected with circular letterforms.

4. BREW PAUSE — a quiet café moment, with the hand and coffee cup closer to the camera while the person and window scene are woven into oversized type.

Use realistic photography, natural skin and fabric, believable water and motion, subtle paper grain, strong negative space, and a restrained color palette.

Create a 9:16 vertical composition reference poster.

Layout name: [TRIADIC ANCHOR / NEGATIVE SPACE CHANNEL / LAYERED INTERLOCK / ORBITAL TYPOGRAPHY / CUSTOM]
Core relationship: [balance / negative space / overlap / orbit / tension / flow]
Main title: [TITLE]
Short line: [ONE SHORT SENTENCE]
Date: [DATE]

Use a soft off-white background, charcoal typography, pale gray geometric forms, thin lines, dotted paths, small nodes, and subtle transparent layers.

This is not a tutorial, infographic, or finished commercial poster. It should feel like a designer’s layout study: light, restrained, experimental, and reusable as an upstream visual reference for AI image generation.

Let the title, shapes, lines, and negative space build the composition together. The title position must follow the selected layout logic rather than always sitting at the top.

Keep the text minimal and readable. Use only the main title, one short supporting line, and the date. Do not add numbered steps, design explanations, labels, or long paragraphs.

Make the layout visually rich without becoming crowded. Add enough secondary lines, nodes, transparent shapes, cropping, and overlapping elements to create depth and structure.

The final image should clearly demonstrate the chosen composition through the layout itself, without needing written explanation.

Expand a commercial still life visual with slight film softening around any theme object, placing the single most recognizable object of the theme slightly to the right of the central axis, magnified as the visual center with a close-up real-shot texture; the object rises from behind a tile countertop that cuts in from the bottom edge from low-left to high-right, with its base partially obscured by the countertop, forming a monumental posture steadily held up by the diagonal line. The tile countertop occupies only a small area of the bottom edge of the frame, with a warm glaze and restrained reflections, fine narrow light-colored grouting forming regular squares extending with diagonal perspective, establishing scale while pushing the gaze back to the focus. The upper half retains a large area of transparent white space, using high-brightness, low-to-medium saturation theme-derived cool colors as a clean background, retaining only extremely fine uniform grains, slight brightness drift, and a soft bright mist, overall bright, refreshing, with a slight softness of old-style color advertisements, without adding dirt, wear, or heavy brown filters. The theme object presents credible light transmission, reflection, delicate highlights, and internal layers according to its own materials, with clear edges but not over-sharpened; extract a group of high-saturation, small-volume attachment details from the theme imagery, gathered near the upper edge of the object, with a low-information light-colored rectangular identification surface embedded on the front, letting the rich physical texture and quiet plane form a pause. Colors are derived from the theme semantics, not locked to specific hues: large area backgrounds maintain light, bright, low saturation, medium area objects and tiles share deeper, more saturated adjacent color relationships, a small amount of striking colors concentrated in top details, main titles, and bottom short sentences, light neutral colors used for highlights and identification surfaces; keep clear warm-cold contrast, clean color layers, and a vivid but not glaring focus. Text forms a vertically dense reading along the central axis: two lines of extremely small copy suspended at the top, the first line using a compact bold all-caps narrow font with slightly widened letter spacing, the second line using a lighter, smaller italic font; below it, a very large high-contrast serif title composed of a short theme word, tall face, distinct thick and thin strokes, stable centered positioning, dark color tone echoing the striking details on the object, followed by a line of smaller serif subtitles closely following. Leave a breathing space between the title and the top of the object, text does not press onto the physical entity; the very bottom places a line of small, compact, striking-colored all-caps instructions on the tiles, forming an echo from start to finish. All copy comes from the current theme, maintaining information restraint, central axis alignment, and obvious font size jumps; the image should be like a nostalgic product advertisement shot with natural high-key light after careful arrangement, with both real materials and weak optical softening, as well as bold white space, diagonal platform advancement, and clear graphic order.

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Theme: Berry cream dessert cup poster, highlighting a light sweet product suitable for afternoon tea
Supplement: Appear 3 relevant information points, keep commercial poster usable
Aspect ratio: Vertical 3:4

A hyper-realistic cinematic poster featuring a majestic golden eagle standing behind a premium chessboard, its piercing amber eyes locked directly into the camera with an intense, calculating expression. At the center of the board, a glowing golden king chess piece radiates powerful warm light, casting dramatic reflections across the polished black-and-gold chessboard. Surrounding black chess pieces fade into deep shadows, symbolizing defeated opponents. The eagle is partially illuminated with luxurious golden rim lighting, revealing intricate feather textures while the background remains a pure matte black. Floating golden dust particles, subtle volumetric light rays, high contrast, luxury editorial style, ultra-detailed, IMAX-quality, photorealistic, 8K, premium cinematic color grading, minimal composition with generous negative space for typography.

Typography (Bold Luxury Style):

I DON’T SPEAK.
I POSITION. (large metallic gold text)

By the time you notice my move…
The game is already over.