Ratio: 9:16
Style: Semi-realistic 2D high-fashion magazine poster + studio soft light + slight film grain (not street photography documentary)
Theme: Oshi no Ko girls, assemble~ High fashion cover—four characters from the same work
Character images must be highly consistent with their images in the original anime, with key hairstyles/hair colors/facial features/temperament/signature characteristics clearly identifiable, avoiding replacement with unrecognizable random faces.
Female character details: Korean goddess vibe, highlighted milk skin, detailed skin texture & pores & moles, eyes large and clear.
Characters (all from [Oshi no Ko], one character per image, clearly adult, East Asian aesthetic):
1) Akane Kurokawa (dark hair, serious and sharp actress temperament—not just Ai Hoshino)
2) Kana Arima (red hair, stubborn and serious)
3) Minami Kotobuki (blonde hair, idol stage presence)
4) Tsuyu Kaburagi (dark hair, calm manager temperament)
Clothing: Bold and cool high fashion/red carpet/Japan-Korea Fashion Week, high-end feel not erotic
Composition: Full-body A-pose standing, slightly low camera angle, magazine poster feel
Constraints: Only Oshi no Ko; semi-realistic 2D; recognizable; no national flags/Rising Sun; no large blocks of readable text

Establish a high-density flat visual around any subject object, first refining the subject-related forms into flat organic silhouettes of vastly different sizes and varying edges, letting rounded and wide large outlines, slender lines, fine segmented forms, and scattered small pieces reach in from all sides and cross the edges, forming a dense coverage across the entire frame with no obvious perspective. Outlines are layered step by step with transparent ink, the same form repeatedly scaled, rotated, and obscured, naturally generating new color blocks where deep and light shades meet; at the same time, intentionally preserve the irregular bright base color running through them, cutting the most key subject symbols directly from these blank spaces, using only minimalist outer outlines and a few identifying details, making them flicker in and out of view, requiring a second look to be discovered. The blank images and colored silhouettes must share boundaries and intersperse with each other, and cannot become independent icons pasted on the surface. The whole is completed in a way that combines flat paper collage with transparent water-based overprinting: large shape edges are clear but with slight manual cutting irregularities, partially retaining real material textures, fiber feel, fine veins, slight ink layer thickness variations, and overprint color differences, without adding three-dimensional light and shadow, glass texture, or uniform aging. Colors are derived from the emotions, semantics, and material associations of future themes, choosing a dominant hue to form a high-coverage medium-brightness color group, with deeper homologous colors bearing the occlusion and visual weight, lighter low-saturation colors bearing the breathability and paper feel, and a few bright areas close to the base color responsible for separating shapes; controlled within a narrow color gamut, deep colors are full but not dull black, light colors are clean and not overexposed, remaining refreshing, natural, quiet, and full of life after overprinting. The layout adopts asymmetrical balance: graphics fill the screen and are cut at the edges, a readable information area is left on one side below, the subject title is arranged into three to four lines of compact white text, using simple narrow sans-serif and slightly wider East Asian character skeletons, with fine horizontal lines of varying lengths and slight manual skew interspersed between lines; a small foreign language subtitle is placed above the title, and time, place, and description are organized below with a sharp drop in font size, letter spacing is slightly open, and white text is pressed directly onto the dark collage. A small geometric logo is placed on the upper edge of the other side, and extremely small author or column text is embedded in the upper-middle part of the picture, letting information be surrounded by organic forms yet remaining clear. The reading order is first attracted by the full-frame overlapping colors, then discovering the blank symbols, and finally falling to the title below; always maintaining the tension of density, transparency, concealment, and manifestation, avoiding arranging silhouettes into regular patterns and avoiding letting text steal the surprise of negative shape discovery. Theme: Summer garden fruits and vegetables, organic vegetables, poster.

Centering on specific thematic content, organize the visual frame in a clean invitation style: the upper half features two closely positioned theme objects or characters with a bright studio-shot texture, characterized by slightly playful interactions and clear silhouettes without being overly dramatic; the background maintains large expanses of near-white, light gray, or theme-derived light-colored clean fields, with soft, even lighting and light shadows, making the subjects and text appear as if suspended in clean air. The lower section integrates an oversized wide-body sans-serif main word, heavy-set, tightly kerned, and close to both sides of the frame, using medium-to-high saturation warm or analogous colors from the theme that best express the warmth of celebration, with a matte, flat, and clean finish serving as the heaviest visual anchor; the main word and subjects overlap, with the subjects' lower edges lightly pressing onto the tops of the letters, while the word block supports the figures or theme objects, creating a strong link between the photograph and the poster typography. Above the main word, a high-brightness white handwritten brush short phrase is overlaid, with continuous strokes and a distinct sense of speed, sweeping from the lower left to the upper right across the bold text and subject boundaries, with partial coverage and partial white space, giving the image a relaxed smile within a formal invitation feel. The lower-middle part includes a small amount of thin, narrow small text and date-like short information, organized into several vertical narrow columns with tight character and line spacing in black-gray, acting as a typographic rhythm rather than a manual; small white laurels or linear emblems can be added as decorations for a light sense of etiquette. Colors are derived from the theme: the background carries the largest light-colored area, subject clothing or materials maintain low-saturation neutral tones, the main word carries a small but high-weight celebratory color, white handwritten text provides clear penetration, and black-gray small text offers precise closure. The overall aesthetic remains high-brightness, low-noise, clean, and transparent with sharp edges, avoiding heavy shadows, complex scenes, dirty grain, and excessive decoration that would distract from the immediate impact of the large text.

Theme: Lin Daiyu and Harry Potter wedding photos
Ratio 16:9

Generate a visual system centered around any subject that is bright, restrained, and has a sense of packaged advertising: the subject content is first distilled into a giant, soft, and approachable central main form, placed close to the center of the frame and clearly overlapping a thin-line frame behind it, drawing the eye into an internal cavity or core white space through radial organization; the cavity maintains the same color scheme or similar brightness as the background, forming a clear figure-ground relationship and Gestalt closure, allowing the viewer to first read a complete, full symbol with a pause before reading the specific subject. The background uses a high-key warm bright color or clean light color derived from the subject's semantics as a large-area single color field; the subject's color is slightly thicker than the background, with subtle grain and soft edges; the light is diffused high-key light, and shadows only lightly press out layers at contact points, keeping the whole clean, transparent, and free of gray or dirty tones. The frame uses dark thin lines, a small amount of vertical or horizontal short copy, and a small circular seal-like information point to establish a traditional packaging order; the main title can use high-contrast Songti or an equivalent stable display font, with a certain glyph or mark echoing the circular structure, but the text must be subordinate to the central main form. Retain the relationship of "giant subject form obstructing the frame, sparse surrounding information enclosure, and bright color field lifting the product mood," avoiding turning elements into scattered collages, thick retro styles, or low-saturation dark posters. This theme: Donut product poster. Aspect ratio 16:9. Note that the above is the content of the first image. Follow the same logic to expand to other color systems and images of other products for this store. A total of 10 products.

A high-end Codex desktop application skin concept map with Arina Hashimoto as the character theme, fully displaying the Windows desktop software interface, front eye-level screenshot composition, no perspective tilt. The overall integration of fresh Japanese-style photography, spring cherry blossoms, light luxury fashion magazines, and modern digital creative spaces presents a gentle, bright, exquisite, and romantic but not overly sweet visual temperament; this is an unofficial tribute-style concept design, and official authorization logos do not appear.

The overall color scheme uses cherry blossom pink, cream white, champagne gold, light gray purple, and soft rose brown. Interface materials combine delicate washi paper, translucent tulle, mother-of-pearl, frosted acrylic, and light-colored metal. The background uses soft-focus cherry blossom branches, light pink watercolor smudges, light petals, small starlight, and elegant curves as decorations, paired with the soft natural light of a spring afternoon. All floral elements remain sparse and restrained, highlighting the characters and interface information, without forming a wedding poster or cheap pink sticker style.

A gradient navigation bar of cream white and very light cherry blossom pink is set on the left, with the concise word "Codex" and an abstract icon composed of cherry blossom petals and code brackets displayed at the top. The navigation items are "New Inspiration", "Schedule", "Creation Plugins", "Photo Archives", "Version Records", and "Collaboration Space" in order. The project list below includes "Spring Photos", "Styling Inspiration", "Lens Notes", "Color Collection", and "Travel Snippets", and the task list includes "Organize Photos", "Select Styling", "Record Inspiration", and "Complete Layout". Icons uniformly adopt slender rose gold lines, including cameras, petals, hangers, picture frames, starlight, and folders.

The top of the main content area displays "Arina Hashimoto's Exclusive Creative Space", with "Unofficial Concept Skin" marked in small text next to it. A large horizontal main visual welcome area is set in the center, using soft rounded corners, with the background naturally transitioning from cream white, light pink, and light gray purple, adding tulle light and shadow, bokeh spots, and a small amount of falling petals. The left side retains the title and functional information, and the right side displays a high-quality realistic character portrait of Arina Hashimoto.

The character presents the image of an adult East Asian woman, with recognizable exquisite facial features, black or dark brown long hair, soft bangs, clear natural makeup, and a gentle and confident expression. Wearing a dignified and elegant light pink tulle dress or champagne-colored fashion dress, the neckline and skirt design are appropriate, not exposing, not transparent, paired with small pearl earrings. The character's body is slightly turned toward the camera, hands naturally folded near the chin or lightly supporting the side of the face, the posture is elegant and relaxed, gazing at the camera. Using high-end Japanese fashion magazine photography, soft window light, natural skin texture, delicate hair strands, and shallow depth of field, the character naturally integrates with the interface background.

The left side of the main visual welcome area displays a striking Chinese title "What do you want to create today?", and the subtitle "Collect inspiration, let every moment glow gently". Elegant abstract English handwritten lines are added above the title as decoration, but do not copy real signatures or proprietary wordmarks. The text uses deep rose brown to ensure clear contrast with the light background.

Four cream-white rounded functional cards are arranged horizontally at the bottom of the main visual welcome area, using rose gold fine outlines, light pink icons, and soft shadows. The first card uses a camera icon with the text "Organize Images"; the second uses a picture frame icon with the text "Collect Inspiration"; the third uses a palette icon with the text "Explore Color Matching"; the fourth uses starlight and tool icons with the text "Perfect Works". The cards are uniform in size and evenly spaced, with only a small number of petals and tiny starlight added at the corners, not obscuring the text and icons.

Directly below the main visual welcome area, an independent large horizontal rounded creative panel is set, strictly aligned with the left and right edges of the main content area, close to the full width of the content area, with a height of about one-fourth of the main content area. It must rest stably at the bottom of the page and be a complete, clear, and operable input panel, not a floating chat bubble, narrow search bar, capsule input box, terminal, or independent pop-up window.

The outer background of the creative panel is designed as a gradient from cream white to very light cherry blossom pink according to the character theme, with very subtle washi fibers, pearl soft light, and tulle textures. The edges use slender rose gold outlines and soft light brown pink shadows. The overall color is quieter and less decorated than the main visual welcome area, which is consistent with the Japanese photography and spring cherry blossom themes while keeping the input area clear and legible.

A small folder icon and the partition text "Images" are set in the upper left corner of the outer panel. A wide rounded input area is embedded inside the panel, with clear, slender light rose gold outlines all around, and the internal background is a clean warm cream white, retaining ample white space for writing. The placeholder text is located in the upper left of the input area, content is "Write down an inspiration, a scene, or a moment you want to record...". Only a very light petal watermark and a slender curve are kept in the background of the input area, and decorations cannot enter the main text area.

In the same input panel, a complete bottom control bar is set: on the far left is a circular plus button with a rose gold fine border; next to it are "Full Access" mode controls and a favorite icon; on the right are the model status "5.6 Sol Mid", a down arrow, and a microphone icon; on the far right is a solid circular send button, using a soft rose pink to coral pink gradient, with a clear cream white upward arrow inside. The corners of the panel are only decorated with a small sprig of light pink cherry blossoms, two or three petals, and a small amount of pearl starlight, not obscuring the placeholder text, model selector, or send button.

A slightly tilted vintage Polaroid photo can be stacked in the lower right corner, showing a half-length photo of the character in soft window light, fixed with a short piece of light pink ribbon tape; the photo cannot obscure the important controls of the input panel.

The interface must maintain a real, complete, and operable desktop application structure, rather than a character promotional poster. The character occupies about one-third of the right side of the main visual welcome area, and the left title, four functional cards, and the bottom input panel are clear and complete. Using high-end commercial UI/UX design, precise grids, clear visual hierarchy, loose white space, uniform rounded corners, delicate outlines, restrained shadows, real materials, and Japanese magazine-level color grading. All specified Chinese text is clearly discernible and presents short texts such as "New Inspiration", "Schedule", "Photo Archives", "What do you want to create today?", "Organize Images", "Collect Inspiration", "Explore Color Matching", "Perfect Works", and "Images" as accurately as possible. Ultra-high detail, 4K product display quality, complete window borders, without cropping any important components.

Aspect ratio 16:10

Negative constraints: low resolution, blurred, pixelated, over-sharpened, overexposed, over-saturated colors, cheap pink filters, gaudy studio style, wedding poster style, cartoon idol style, excessive roses, heart stickers, piled up petals, cluttered background, messy interface hierarchy, misaligned components, cropped window, severe perspective distortion, repeated cards, repeated characters, overlapping text, garbled Chinese, random English letters, wrong menu text, bottom input box size too small, input box becomes narrow search bar, capsule-shaped input box, floating chat bubble, input panel detached from the page, input panel becomes terminal or pop-up, missing outer large panel, missing inner input outline, missing bottom control bar, missing circular plus or send button, input area filled with floral decorations, input box uses pure black smoked glass, sexual hints, nude clothing, transparent clothing, lingerie styling, suggestive poses, character face drift, wrong hairstyle, wrong age performance, exaggerated expressions, waxy feeling, plastic skin, wrong body proportions, hand deformities, extra fingers, extra arms, fused fingers, hard edges between character and background, copying real signatures, forging official logos, presenting as official cooperation or officially authorized product, watermark.

Generated around any subject object. The image adopts a modern minimalist and highly visual-tension graphic design layout system. Colors are extracted from the cultural symbols and core emotions of the subject itself, retaining large areas of pure, high-saturation monochrome as the spatial tone, paired with minimalist high-contrast structural colors (such as extreme black, pure white, or clear contrasting colors) to complete image cutting and information hierarchy construction, ensuring the overall tone is bright, pure, and full of vitality, completely abandoning aged, gray-turbid, or cluttered ambient light and shadows. The subject content is transformed into a main visual graphic with spatial penetration, occupying the core focus of the image, and forming strong positive and negative space tension with large areas of blank solid-color backgrounds. Text and additional information layers serve as the skeleton of the image, distributed with precise rhythm, creating spatial interlocking, overlapping, or guiding relationships with the main graphic. The overall texture maintains clean and sharp edges, flat and transparent color blocks, and visual explosive power with a sense of modern order.

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Limited Subject: Osmanthus Fresh Milk Tea + Autumn Tea Fragrance + Cupped Drink + Limited Edition Logo
Store Application: Seasonal Limited Drink Promotion Poster
Warm Colors: Warm Orange + Cream White + Deep Tea Brown + Soft Highlights
Image Composition: Central Upright Drink Cup + Circular Osmanthus Focus + Top Horizontal Title Area + Vertical 3:4

Generated based on specific thematic content. The visual adopts modern Eastern minimalist structural aesthetics, using high-brightness, high-saturation 'China Red' and its analogous colors as the core visual carrier, constructing visual order through large areas of pure color blocks or highly expressive background layouts. The subject is located at the visual focus with clear edge outlines, forming a strong figure-ground relationship with the background. The color system maintains extremely high cleanliness and transparency, creating an extreme contrast between the intense, powerful red and sufficient pure negative space (such as warm white or paper white), rejecting any dirty, aged, dim, or muddy filter effects. Dark colors (such as pure black) are used as an information layer, lines, or anchor points, serving as the skeletal structure. If there are abstract symbols or typographic elements, they must be embedded in the space in an exquisite, restrained form (similar to modern seals or meticulous grid arrangements) to strengthen the overall sense of ritual. The final visual temperament balances Eastern solemnity with modernist precision and crispness, presenting a bright, refreshing, and high-end feeling full of vitality.

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Anniversary Content: Anniversary numbers + school memorial + white doves + celebration date, used as the main commemorative poster for the school anniversary.
Ceremony Color Scheme: Vermilion + Warm Gold + Ivory White + Bright High Saturation.
Main Visual Focus: Super large anniversary numbers centered + red silk foreground support + white doves surrounding the focus + horizontal 16:9